Clairefontaine linen shade (left), Fabriano Tela (centre), Strathmore (right). While most oil paper is a shade of white, a light linen colour and a black are also available. The heavier paper is better able to hold thicker applications of oil paint without folding under the weight when picked up. Oil painting papers vary in weight from 187 – 300 gsm. A block will hold the paper flat so you can paint vigorously without the paper moving and it keeps it from flapping about in a breeze, making it ideal for painting outdoors. Oil painting paper is available as sheets, rolls, pads that are glue-bound on one edge only, and blocks which are pads glued on all four sides. The long fibres of cotton also give the paper strength and the ability to withstand rough handling and wiping without easily tearing.
OIL PAINT CANVAS PROFESSIONAL
As a result it is considered a professional grade paper, with a longer lifespan than wood pulp paper because it can better withstand changes in humidity and temperature. Arches Huile paper is the exception, being made of 100% cotton.
The effect of oil seepage can be seen on the back of this non-oil paper, where the front had some oil applied in square swatches.įine art oil painting papers are acid-free, with the majority being made of wood-free cellulose pulp.
But, if you wish to guarantee your finished work will be on a substrate that does not absorb any oil we recommend applying a layer of acrylic gesso or medium to the surface of the oil paper, or sizing your own paper, or using fast drying oil painting mediums which also minimise oil seepage. Those that are externally sized absorb the least amount of oil, but even the papers that are not externally sized will still give the fibres enough protection from the oil because of the internal sizing. However, none of the oil papers are 100% resistant to having some oil seep through to the back as a result of oil absorption. Because they have been specially sized for oil painting, oil papers significantly reduce the amount of oil absorbed into the fibres of the paper, compared to other fine art papers that have not been prepared for oil painting.
OIL PAINT CANVAS DOWNLOAD
Download the table to print.Īrches is the only oil painting paper that is sized in the traditional way with animal gelatine all the others are free of animal derived products. You can also prepare oil paper yourself by sealing and priming other papers, which is explained further in this article. The various characteristics of all of these papers are listed in the table below. Shown in the photo above are – from the top: Daler-Rowney Georgian, Canson Figueres, Hahnemuhle, Clairefontaine, Jackson’s, Arches Huile, Fabriano Tela, Clairefontaine linen colour, Strathmore black, and Rembrandt. You can purchase ready-prepared oil papers in a variety of weights, textures, colours and formats. Depending on the sizing, primer, and type of paper, it may be smoother or more ridged, easier to wipe back to white, or it may be more absorbent. Painting on paper also has a different ‘feel’ to painting on canvas or a wooden surface. Perhaps notes on the weather and lighting conditions like Constable did when he painted in oils on paper in the field. Working on paper also allows you to write notes on the front or the back, like the palette that you used or some information for a future larger painting. It is a great surface on which to experiment with techniques, make colour charts, and produce quick sketches. Because it is less expensive you may feel less precious about wasting a surface and therefore perform more learning exercises. Oil painting paper takes up less room and is lighter in weight than stretched canvas or even canvas panels, which makes it easier to store, carry and post. Why Would You Paint on Paper Instead of Canvas?
Additionally, when using un-sealed paper, unsightly oil rings may appear around the paint if there are areas of the paper left unpainted. Using properly sealed (sized) paper for oil painting means that your colours remain brighter and more glossy. It’s important that paper for oil painting is sealed to prevent the paint from being absorbed by the paper, which would eventually embrittle the natural fibres of the paper and if enough oil is absorbed from the paint, the pigment can become under-bound, making it look matt and crumbly, and can in some cases cause the pigment to come away from the surface. They usually have an embossed linen texture on their surface, although Arches Huile, which is a specially treated watercolour paper, has a cold-pressed surface. Oil painting papers have a special coating that prevents the paper from absorbing the oil content of the paint.
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